Nenette And Boni (1996)

Tactile, melancholic, sensuous, elliptical. It’s hard to describe the effect that Nenette And Boni (1996) had on me. Directed by Claire Denis, and co-written by Denis and her collaborator Jean-Pol Fargeau, the story is about a brother and sister living in Marseilles. The experience of the movie is that it gives you pieces of the […]

After The Storm (2016)

One evening, I was looking for something soothing and gentle for a movie, and Hirokazu Kore-eda’s After The Storm (2016; Umi yori mo Mada Fukaku) worked its charms on me. I’ve only seen Kore-eda’s Shoplifters and that had me bawling at the end, with its displays of human kindness and compassion in an unjust world. […]

Demonlover (2002)

demonlover (2002) is like later period William Gibson: it’s not about putting on the goggles and jacking into the cyberspace, but more about corporate espionage. I love French director Olivier Assayas in this mode – post-Irma Vep genre studies of women at work and under duress (see also: Boarding Gate and Personal Shopper) in a […]

C’mon C’mon (2021)

I’m a Mike Mills guy. I wasn’t so much into Thumbsucker, but I became a fan through his autobiographical-inflected indie dramas like Beginners (based on his father) and especially 20th Century Women (based on his mother). I’m completely aware that some will dismiss Mills’ humanistic writing and design approach (complete with elegantly designed montages and […]

Zeros And Ones (2021)

I wonder what viewers not familiar with director Abel Ferrara’s work would make of Zeros And Ones (2021). “From the director of King Of New York and Bad Lieutenant” is advertised in marketing and trailers, but this film has more in common with his later works like New Rose Hotel, Mary and 4:44 Last Day […]