Distant (2002)

I associate Turkish director Nuri Bilge Ceylan with long takes of expansive landscape from the couple of movies I’ve seen of his. And the opening shot of Distant (2002; aka Uzak) fulfils that association, as a solitary figure trudges across a field, a small town in the distance and a road in the foreground from […]

The Lorry (1977)

Though I don’t remember much of the details in the story told within Le Navire Night, directed by Margeurite Duras, I remember the feeling of the film and how it blurred into the experience of watching it alone on a laptop in the dead of a sleepless night. Duras’ words on the narration, the movement […]

Kaili Blues (2015)

When it comes to slow cinema, there can sometimes be a split inside myself during the experience. Like in Kaili Blues (2015), there’s a beautiful long take of the camera watching Chen Shen (Yongzhong Chen) on the back of a motorbike as it winds around mountain roads, greenery and mist in the landscape behind them. […]

Fascination (1979)

There’s something prototypical about a Jean Rollin film, in that it can be classified as what people would think of when it comes to ‘Euro-horror’ (nude women, vampires, castles). And yet, there’s something distinct, which probably helps when you’ve seen a few other 1970s exploitation movies. That there’s something slow and atmospheric, which feels very […]

Pickpocket (1997)

In Jia Zhangke’s Pickpocket (1997) aka Xiao Wu, which was shot in the Chinese town of Fenyang (where Zhangke grew up), there are a few street scenes where something happens, often to the main character, and people passing by begin to stop and look; there’s a feeling that these are not extras, but actual people wondering what’s going […]