The Iron Rose (1973)

The Iron Rose (1973; La Rose de Fer) is the third film I’ve seen from French director Jean Rollin, and along with Spanish filmmaker Jess Franco, their names represent a quintessential arty Euro-horror milieu. Rollin is known for low-budget genre flicks, usually concerning vampires, where there’s nudity and blood, and actors wandering around castles and […]

Goodbye, Dragon Inn (2003)

In Goodbye, Dragon Inn (2003), there’s an obvious contrast between the 1960s wuxia film being screened, Dragon Inn, and the dilapidated cinema where its being shown; the faded film stock of adventure and action compared to the mundane stillness of empty cinema seats and rain dripping from the ceiling. Within Taiwanese director Tsai Ming-liang’s slow […]

The Grandmaster (2013)

I can’t remember much of a cinema release for Wong Kar-wai’s The Grandmaster (2013); it felt like its mixed reception resulted in an underwhelming reputation. Unexpectedly a martial arts movie for fans of Wong Kar-wai’s arthouse melodramas, it might have been too much of an arthouse melodrama for fans of martial arts movies. I was […]

The Woman Who Ran (2020)

I’ve not seen any of South Korean filmmaker Hong Sang-soo’s work – he’s made like over twenty moderately budgeted movies – before The Woman Who Ran (2020), which appealed to me because it was available on SBS On Demand and it was only 77 minutes long. The first thing I can say: zooms. A camera […]

The Lure (2015)

In 1980s Poland, two mermaids hear their own siren song: a fair haired boy playing an indie ballad on the shoreline. Leaving the water for the world of humans, the mermaids eventually front their very own synth pop band. Welcome to the horror-musical-fantasy world of The Lure (2015; Córki dancingu), which revolves around a nightclub […]