Category: Exploitation Cinema
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Raiders Of Atlantis (1983)
Italian exploitation cinema is supreme in knocking off successful genre films or particular scenes, and assembling the elements into a something… well, it’s not new… more like a mutant, the type of hybrid beast you might find one of these flicks. Raiders Of Atlantis (1983) – aka Atlantis Interceptors aka Atlantis Inferno on SBS –… Read.
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Fascination (1979)
There’s something prototypical about a Jean Rollin film, in that it can be classified as what people would think of when it comes to ‘Euro-horror’ (nude women, vampires, castles). And yet, there’s something distinct, which probably helps when you’ve seen a few other 1970s exploitation movies. That there’s something slow and atmospheric, which feels very… Read.
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Endgame (1983)
Directed by Joe D’mato, Endgame (1983) is another Italian rip-off post-apocalypse movie and much like Lucio Fulci’s Warriors of the Year 2072, it’s about televised death sports, preempting The Running Man movie, though more than likely copying Rollerball. While not as stylish or gory as Fulci’s film, I enjoyed Endgame more. It spends 30 minutes in the world of ‘Endgame’, where three hunters… Read.
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Burial Ground (1981)
As an Italian zombie flick, Burial Ground (1981) spends a lot of time with decaying zombie faces in close-up, crud-strewn make-up with maggots wriggling around. I couldn’t help but wonder… did the make-up artist apply the maggots carefully with a tweezer, or did they just dump a bucket upside down the zombie’s head and see… Read.
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Night Of The Skull (1974)
Creaky mansions. Dark and stormy nights. People investigating by candle light. Someone jumping out of the shadows wearing a skull mask. Basic pleasures from the Spanish horror movie, Night Of The Skull (1974), just one of the hundred movies directed by Jess Franco, a gothic murder mystery with light giallo vibes. A family of aristocrats… Read.
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