Tag: Japanese Cinema
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Lone Wolf And Cub: Baby Cart In Peril (1972)
With the Criterion Collection boxset of Lone Wolf And Cub beckoning me back on the demon path to hell, it was time to continue with the fourth entry, Baby Cart In Peril (1972). Being in the back half of the series, there were definitely sequences where I was like, this feels familiar, have they done… Read.
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Late Spring (1949)
Ozu – Japanese filmmaker Yasujiro Ozu – is a weighty name in arthouse auteur circles, often referenced by Paul Schrader, Mike Leigh, Jim Jarmusch, Claire Denis, Koganda, amongst others. A weighty name even though the reputation of his films is that they are quiet, patient, and delicate. I was intending to begin 2023 on a… Read.
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Cure (1997)
Most horror films shout at you. Cure (1997), directed by Kiyoshi Kurosawa, never raises its voice. It maintains a steady whisper and is all the more unnerving for it. A Japanese horror film that was part of the ‘J-horror’ wave of the late 1990s, Cure almost stands outside of it by its ordinary, beige-brown palette… Read.
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Lone Wolf And Cub: Baby Cart To Hades (1972)
There’s something about Tomisaburo Wakayama’s portly stature and sullen demeanour as Ogami Itto, the wandering ronin, at the centre of the Lone Wolf And Cub series. A highly skilled and almost invincible assassin, Wakayama grounds everything with his grumpy stoicism and physicality, particularly in the face of enemy hordes and gushing blood sprays. Or in… Read.
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A Colt Is My Passport (1967)
Watching Japanese 1960s crime flicks (particularly those produced by Nikkatsu Corporation) is always an insight into how much Quentin Tarantino has ripped off them off (also Jim Jarmusch when he makes hitman movies, and I tend to think of Jarmusch a bit more just because there’s a certain level of economy shared). Then again, A… Read.
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