Tag: Exploitation Cinema
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The Oracle (1985)
After seeing the repulsive yet effective thriller, Tenement, I was interested to see more of director Roberta Findlay’s mainstream 1980s genre work, after a previous decade of working in exploitation and pornography. The Oracle (1985) is a low-budget supernatural horror movie that uses the planchette as its hook – a silver artificial hand in a… Read.
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Night Of The Skull (1974)
Creaky mansions. Dark and stormy nights. People investigating by candle light. Someone jumping out of the shadows wearing a skull mask. Basic pleasures from the Spanish horror movie, Night Of The Skull (1974), just one of the hundred movies directed by Jess Franco, a gothic murder mystery with light giallo vibes. A family of aristocrats… Read.
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Body Melt (1993)
When the younger cop pulled off his shades to reveal it was Andrew Daddo… a powerful surge ran through me. As a local council mayor said recently during a radio interview, “Think global, act local.” And genres can always travel internationally, globally, such as horror with lots of gore and goop. But that local touch,… Read.
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Bloody Moon (1981)
Must a film be coherent? Eurohorror has so much to teach us. The American slasher genre filtered through Spanish director Jess Franco in gun-for-hire mode. Accentuated by watching the English dub where the voiceover artists are rushing through dialogue at a speedy clip, another layer to what is already alien onscreen behaviour. A group of… Read.
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Venus In Furs (1969)
The meeting point between exploitation demands and arthouse pretensions is ideal cinematic terrain to my mind. Base pleasures that Venus In Furs (1969) – directed by Jess Franco – offers is nudity and sex (well, what accounts for it late 1960s international cinema) with Maria Rohm nude in a fur coat with stockings and a… Read.