Distant (2002)

I associate Turkish director Nuri Bilge Ceylan with long takes of expansive landscape from the couple of movies I’ve seen of his. And the opening shot of Distant (2002; aka Uzak) fulfils that association, as a solitary figure trudges across a field, a small town in the distance and a road in the foreground from […]

The Lorry (1977)

Though I don’t remember much of the details in the story told within Le Navire Night, directed by Margeurite Duras, I remember the feeling of the film and how it blurred into the experience of watching it alone on a laptop in the dead of a sleepless night. Duras’ words on the narration, the movement […]

Kaili Blues (2015)

When it comes to slow cinema, there can sometimes be a split inside myself during the experience. Like in Kaili Blues (2015), there’s a beautiful long take of the camera watching Chen Shen (Yongzhong Chen) on the back of a motorbike as it winds around mountain roads, greenery and mist in the landscape behind them. […]

The Intruder (2004)

As a filmmaker, Claire Denis offers elliptical narrative experiences, introducing us to a few characters, observing their faces and their movements, and only gradually revealing the connections and histories between them. The Intruder (2004) is even more elliptical than her other films, complicating our understanding with the inclusion of dreams and recurring figures who may be more […]

Reflection In A Dead Diamond (2025)

What I appreciate about Helene Cattet and Bruno Forzani (Let The Corpses Tan, The Strange Colour Of Your Body’s Tears) as filmmakers is that they are fetishists. Drawing upon memories of genre cinema – a gesture, a moment, a flourish – and not simply re-creating them, but deconstructing and exploding them. With Reflection in a […]