Tag: Arthouse Cinema
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License To Live (1998)
There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known… Read.
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Still Life (2006)
I was watching Still Life (2006) in several sittings due to timing and being away on holiday. Not an ideal way to experience the film, and one I would have loved to have seen in a cinema, but its approach and tone suited the intermittent immersion. Dipping in and out of the movie like I… Read.
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Born In Flames (1983)
File this under “Why didn’t I watch this earlier?” and “This is as great as they say…” Maybe I thought that a film about activism would be a bit like homework. Directed by Lizzie Borden, Born In Flames (1983) captures a moment of time – 1980s New York, in the No Wave era – but… Read.
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Please Baby Please (2022)
Director-writer Amanda Kramer’s Please Baby Please (2022) reminded me of discovering Johnny Suede on SBS when I was young. The discovery of an arthouse American indie cinema morphing together the past and the present, a receptacle for a filmmaker’s fetishes. Empty alleys or street facades. Apartment interiors on a studio set. Creating a whole situation to let make-up, hair,… Read.
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The Wild Pear Tree (2018)
Director Nuri Bilge Ceylan uses the three-hour running time of The Wild Pear Tree (2018) to give considerable scope to individual encounters. Sinan (Dogu Demirkol) spends a lot of the movie walking, often wandering around deep in thought, and a recurring pattern within the narrative is Sinan bumping into someone, and beginning to chat with… Read.
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