Category: Japanese Cinema
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Cure (1997)
Most horror films shout at you. Cure (1997), directed by Kiyoshi Kurosawa, never raises its voice. It maintains a steady whisper and is all the more unnerving for it. A Japanese horror film that was part of the ‘J-horror’ wave of the late 1990s, Cure almost stands outside of it by its ordinary, beige-brown palette… Read.
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Lone Wolf And Cub: Baby Cart To Hades (1972)
There’s something about Tomisaburo Wakayama’s portly stature and sullen demeanour as Ogami Itto, the wandering ronin, at the centre of the Lone Wolf And Cub series. A highly skilled and almost invincible assassin, Wakayama grounds everything with his grumpy stoicism and physicality, particularly in the face of enemy hordes and gushing blood sprays. Or in… Read.
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A Colt Is My Passport (1967)
Watching Japanese 1960s crime flicks (particularly those produced by Nikkatsu Corporation) is always an insight into how much Quentin Tarantino has ripped off them off (also Jim Jarmusch when he makes hitman movies, and I tend to think of Jarmusch a bit more just because there’s a certain level of economy shared). Then again, A… Read.
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Dead Or Alive 2: Birds (2000)
Yakuza assassinations cross-cut with world vision footage of starving children in Africa. CGI birds representing the childhood spirits of our two protagonists. Digital graphics illustrating the geometry of three bullets entering a head at 60 degree angles. A powerful comet sighted against the night sky. The title card “Where are you?” repeated, white text against… Read.
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Female Prisoner #701: Scorpion (1972)
Female Prisoner #701: Scorpion (1972) belongs undeniably to a sleazy exploitation category, the “women in prison” sub-genre. Yet if you can stomach that grubbiness, this entry proves to be an artistic triumph because of two strong elements: (1) the theatrical and surreal style that director Shunya Ito (his debut film!) brings to it, and (2)… Read.
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