The Whip And The Body (1963)

When a film communicates two emotions happening across a character’s face, all in the one shot, the magic trick of that. In the Mario Bava directed film, The Whip and The Body (1963), there’s a tremendous close-up of the character of Nevenka (Dahlia Lavi), walking down a darkened castle hallway, approaching a door where she […]

Four Of The Apocalypse (1975)

Four Of The Apocalypse (1975) is a late-period spaghetti western, as the Italian genre was on the decline in the 1970s, directed by Lucio Fulci. Even though this before Fulci’s ‘Gates of Hell’ trilogy, and some of the more gnarlier movies that would make his name as a horror filmmaker (Zombi 2, The New York […]

The Grapes Of Death (1978)

When choosing something to watch, there’s often a scene early on that clinches for me whether I’ve made the right choice or not. For The Grapes Of Death (1978), directed by French exploitation filmmaker Jean Rollin, when the protagonist Elizabeth (Marie-Georges Pascal) is running for her life through the French countryside, completely alone within the […]

Eileen (2023)

Eileen (2023) is a character study. It’s also about stretching out the tension. The question keeps occurring: where is all this going? It’s the mid-1960s, it’s wintery and grey Massachusetts. Eileen works as a secretary in a prison. She looks after an alcoholic ex-cop father. She has daydreams about sex, or about killing her father. As […]

City On Fire (1987)

Saxophone is the weapon of choice for Teddy Robin’s score to City On Fire (1987). I couldn’t help but think of the David Sanborn sax sound to the Lethal Weapon soundtrack. What I love about Hong Kong cinema in the 1980s (and into the 1990s) is that circuit loop, of taking on influences from western […]