Eileen (2023)

Eileen (2023) is a character study. It’s also about stretching out the tension. The question keeps occurring: where is all this going? It’s the mid-1960s, it’s wintery and grey Massachusetts. Eileen works as a secretary in a prison. She looks after an alcoholic ex-cop father. She has daydreams about sex, or about killing her father. As […]

Doppelganger (2003)

Kiyoshi Kurosawa’s The Nutty Professor (Jerry Lewis version). Collaborating with his favourite leading man, Koji Yakusho, writer-director Kurosawa opens Doppelganger (2003) in the existential dread familiar from something like Cure. A scientist, who is working on robotic wheelchair that would help disabled people through concentration and muscular impulses, sees himself in public, a person who […]

Yourself And Yours (2016)

This has happened before with a previous Hong Sang-soo movie where I just took the events at face value, and only later browsing other people’s reviews saw the different ways they were reading into it. Because what the film, Yourself And Yours (2016), covers is often so ordinary and everyday – people meeting at bars, […]

The Empty Beach (1985)

Bogie in Bondi. The Empty Beach (1985) is a neo-noir shot in Sydney during the mid-1980s, and based on a novel by Peter Corris, one of a series of books devoted to his detective character, Cliff Hardy. A commercial failure at the Australian box office, this is a boilerplate mystery. But what was satisfying to […]

Bloody Moon (1981)

Must a film be coherent? Eurohorror has so much to teach us. The American slasher genre filtered through Spanish director Jess Franco in gun-for-hire mode. Accentuated by watching the English dub where the voiceover artists are rushing through dialogue at a speedy clip, another layer to what is already alien onscreen behaviour. A group of […]