Tag: Italian Cinema

  • The Basilisks (1963)

    The Basilisks (1963)

    I’ve only seen one Lina Wertmuller movie and that was Love And Anarchy, which was great. Wertmuller’s debut film The Basilisks (1963; I basilischi aka The Lizards) was featured in the Mubi library in a remastered new edition. One sleepy Saturday morning, I decided to take a gamble on it and after the five minutes,… Read.

  • The Psychic (1977)

    The Psychic (1977)

    Italian horror maestro Lucio Fulci’s giallo thriller, The Psychic (1977; aka Seven Notes In Black, Sette Note In Nero, Murder To The Tune Of Seven Black Notes), received attention awhile back due to its great soundtrack by Franco Bixo, Fabio Frizzi, and Vince Tempera (listed as Bixo-Frizzi-Tempera); it was another score cannibalised by Quentin Tarantino… Read.

  • Conquest (1983)

    Conquest (1983)

    After listening to the recent Pure Cinema Podcast episode on Fantasy movies, I was keen to submerge myself into some 1980s era sword-and-sorcery flicks. One title they talked highly of, and that I’d heard good word for some time, was Italian horror maestro Lucio Fulci’s entry into the post-Conan genre, Conquest (1983), an Italian-Spanish-Mexican co-production,… Read.

  • La Notte (1961)

    La Notte (1961)

    La Notte (1961; aka The Night) is the middle of Italian director Michelangelo Antonioni’s trilogy including L’Aventura and L’Eclisse, and the one I’d always wanted to see. Antonioni’s slow, dispassionate style is intentionally alienating and difficult to wrestle with; I completely understand those who get bored by his work. Yet I do find something of… Read.

  • The House By The Cemetery (1981)

    The House By The Cemetery (1981)

    On the night of Halloween, I intended to finish Lucio Fulci’s ‘Gates of Hell’ trilogy by watching the final film, The House By The Cemetery (1981; Quella villa accanto al cimitero). I have to agree with the consensus out there that it’s the weakest of the trilogy; I still enjoyed watching it however. It’s basically… Read.