The Eternal Daughter (2022)

The Eternal Daughter (2022) is not a horror movie, but a ghost story. It’s useful to make that distinction since it’s about eeriness and suggestion, using ghosts as a way of dealing with memory, uncertainty and unresolvable emotions. Joanna Hogg (Unrelated) reunites with Tilda Swinton (after her first short film, Caprice, and The Souvenir Part […]

License To Live (1998)

There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known […]

The Wild Pear Tree (2018)

Director Nuri Bilge Ceylan uses the three-hour running time of The Wild Pear Tree (2018) to give considerable scope to individual encounters. Sinan (Dogu Demirkol) spends a lot of the movie walking, often wandering around deep in thought, and a recurring pattern within the narrative is Sinan bumping into someone, and beginning to chat with […]

Distant Voices, Still Lives (1988)

“The one thing I can’t bear now is atmospheres. I can come into a room full of people and I can tell you who’s had the row. I always say: if I’ve upset you, just come out with it. If you cold-shoulder me, I instantly see him [my father] sitting in the corner of the […]

High Heels (1991)

High Heels (1991) is like Pedro Almodóvar inviting the audience to a boutique shop to peruse and sample. Melodrama is the purpose for being there, but the pleasure lies in admiring and marvelling at all the wares: the wigs, the hairstyles, the dresses, the shoes, the gloves, the earrings. High Heels has a striking colour […]