License To Live (1998)

There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known […]

The Wild Pear Tree (2018)

Director Nuri Bilge Ceylan uses the three-hour running time of The Wild Pear Tree (2018) to give considerable scope to individual encounters. Sinan (Dogu Demirkol) spends a lot of the movie walking, often wandering around deep in thought, and a recurring pattern within the narrative is Sinan bumping into someone, and beginning to chat with […]

Distant Voices, Still Lives (1988)

“The one thing I can’t bear now is atmospheres. I can come into a room full of people and I can tell you who’s had the row. I always say: if I’ve upset you, just come out with it. If you cold-shoulder me, I instantly see him [my father] sitting in the corner of the […]

High Heels (1991)

High Heels (1991) is like Pedro Almodóvar inviting the audience to a boutique shop to peruse and sample. Melodrama is the purpose for being there, but the pleasure lies in admiring and marvelling at all the wares: the wigs, the hairstyles, the dresses, the shoes, the gloves, the earrings. High Heels has a striking colour […]

Sweet Home (1989)

As a Japanese horror movie, Sweet Home (1989) has a cult following because it was released with a tie-in horror computer game from Capcom, which became the inspiration for the original Resident Evil video game. As an entry in director Kiyoshi Kurosawa’s filmography, it’s different to the disturbing, eerie horror movies that would make his […]