Return To Seoul (2022)

A character study whose style mirrors the push-and-pull of its protagonist, Return To Seoul (2022) follows a young French woman, Freddie (Park Ji-Min), who was adopted from South Korea. Visiting the home of her birth parents on a spur-of-the-moment deal, she also decides to track them down, and is completely unprepared for the emotional consequences. […]

Stars At Noon (2022)

One thing I love about Claire Denis as a director is her relationship with the band Tindersticks – they score most of her movies. To the point that the two movies she directed in 2022 – Stars At Noon and Both Sides Of The Blade – both featured a similar moment in their trailers where […]

The Woman Who Ran (2020)

I’ve not seen any of South Korean filmmaker Hong Sang-soo’s work – he’s made like over twenty moderately budgeted movies – before The Woman Who Ran (2020), which appealed to me because it was available on SBS On Demand and it was only 77 minutes long. The first thing I can say: zooms. A camera […]

C’mon C’mon (2021)

I’m a Mike Mills guy. I wasn’t so much into Thumbsucker, but I became a fan through his autobiographical-inflected indie dramas like Beginners (based on his father) and especially 20th Century Women (based on his mother). I’m completely aware that some will dismiss Mills’ humanistic writing and design approach (complete with elegantly designed montages and […]

Zeros And Ones (2021)

I wonder what viewers not familiar with director Abel Ferrara’s work would make of Zeros And Ones (2021). “From the director of King Of New York and Bad Lieutenant” is advertised in marketing and trailers, but this film has more in common with his later works like New Rose Hotel, Mary and 4:44 Last Day […]