Grass (2018)

“I believe that my films are not made to express a story, but to feature some fragments” – Hong Sang-soo. A couple catch up in a cafe. Classical music plays on the stereo; apparently the cafe owner loves classical music. At times, the music swells and almost drowns out the conversation. Then again, what seems […]

Strange Colours (2017)

I watched director Alena Lodkina’s Strange Colours (2017) on SBS On Demand, a few days after I saw Ivan Sen’s Limbo in cinemas. While Limbo works in another recurring genre in Australian film – the crime genre – and there are clear differences in where they are shot, what they are looking at, particularly indigenous […]

Transit (2018)

Transit (2018) is the third film I’ve watched of German director Christian Petzold and at this point, I have to say that I’m a fan. There is something very direct about Petzold’s filmmaking style, it is not too showy or over-the-top; there’s a degree of elegance, though for some it might also be close to […]

Classical Period (2018)

The main reason I watched Classical Period (2018) was that its running time was 60 minutes and it was available to stream on Mubi. After watching Classical Period, I grew to appreciate it more thinking about it, particularly after reading a few interviews with the director-writer Ted Fendt, a film projectionist who self-funds his movies, […]

Don’t Let The Riverbeast Get You! (2012)

In certain circles of film fans, the movies from Motern Media have a growing, niche audience. Low budget movies produced in the New England area by Matt Farley and Charles Roxburgh and their collaborators. Roxburgh usually directs, Farley stars and scores, and they co-write these opuses, mainly released through their website. Settling down to watch […]