Claire’s Camera (2017)

I think it was Gene Siskel who determined a movie’s quality by the following dictum: Is this film more interesting than a documentary of the same actors having lunch? The films of Hong Sang-soo sometimes feel like you’re just watching a documentary actors sitting around and eating, though a key difference in the Sang-soo world […]

Ghostbox Cowboy (2018)

The dream for me is to read about a film on Letterbox that I’d never heard of before, and then immediately discover it’s been available to stream on Tubi this whole time. Ghostbox Cowboy (2018) is an example of that dream, which in a few reviews compared it to New Rose Hotel and Demonlover, the […]

Bastards (2013)

Cascading rain in close-up against a building at night as moody synth from the Tindersticks plays over the soundtrack. The opening shot to Claire Denis’ film, Bastards (2013), hooked me in and visually established its neo-noir vibe. One of my favourite shots later in the film was of a woman, Chiara Mastroianni – seen from […]

Seventh Code (2013)

Seventh Code (2013): file under the category of “good one-hour movies.” Shot and filmed in Russia, a young Japanese woman named Akiko (Atsuko Maeda, pop singer and former member of girl group AKB48) races into frame, dragging a suitcase behind her. She is in pursuit of a Japanese man in a suit, Matsunaga (Ryohei Suzuki) […]

On The Beach At Night Alone (2017)

A beach is always a contemplative site in cinema, and South Korean director Hong Sang-soo seems to return to it as a space for his characters. On The Beach At Night Alone (2017) features two beaches – one in Hamburg, the other in South Korea – and neither takes place in the pitch-black of night […]