The Day He Arrives (2011)

In Hong Sang-soo’s The Day He Arrives (2011), a young film director Seong-Jun (Yoo Jun-sang) walks down the street of Seoul, wearing a puffy coat and a travelling backpack, intending to stay with a friend, a film critic, Young-ho (Kim Sang-joon). The director has made four movies but is in an on-going hiatus, living further […]

House Of Tolerance (2011)

Languid exhaustion. Service workers at the Eyes Wide Shut orgy. Punching the clock in a 19th century bordello to pay off never-ending debts. Even the madam taking the money has to deal with rental negotiations. Sadness flows as the rot continues to set in. Well-dressed men acting the part of dilettantes, patrons and artists, using […]

Foxfur (2012)

Foxfur (2012) won me over by its title credit sequence using Tangerine Dream’s ‘Crystal Voice’ from the original Firestarter film soundtrack, trippy synth ambience over an image of outer space. This is the first film of cult director Damon Packard’s that I’ve now seen, and knowing that it was one hour long and available for […]

Claire’s Camera (2017)

I think it was Gene Siskel who determined a movie’s quality by the following dictum: Is this film more interesting than a documentary of the same actors having lunch? The films of Hong Sang-soo sometimes feel like you’re just watching a documentary actors sitting around and eating, though a key difference in the Sang-soo world […]

Ghostbox Cowboy (2018)

The dream for me is to read about a film on Letterbox that I’d never heard of before, and then immediately discover it’s been available to stream on Tubi this whole time. Ghostbox Cowboy (2018) is an example of that dream, which in a few reviews compared it to New Rose Hotel and Demonlover, the […]