The Doom Generation (1995)

I remember The Doom Generation (1995) was released into cinemas when I was a teenager, as a hip US indie – maybe a bit on the back of Pulp Fiction and the similarity of Rose McGowan’s Louise Brooks bob/overall look to Uma Thurman. I also recall Roger Ebert – whose reviews I read back then […]

Exotica (1994)

Atom Egoyan’s early work was a regular fixture on SBS Saturday Cult Movie night and him, alongside Hal Hartley, defined a certain indie cinema aesthetic pre-Tarantino. I remember Egoyan’s break-out arthouse hit Exotica (1994) being advertised as an erotic thriller, posters and video boxes using the imagery of Mia Kirshner’s character dancing in a school […]

Light Sleeper (1992)

Is the definition of an auteur just making the same movie over and over again? To follow the recurring symbols and themes across the decades and to see someone keep returning to their obsessions. For director-writer Paul Schrader, he’s returned to a certain archetype – the ‘God’s Lonely Man’ – from his script to Taxi […]

Taste Of Cherry (1997)

One night, I could not get to sleep and was feeling unwell. Best advice usually is to get out of bed and do something else in another room until you feel tired. I felt like starting to watch something and as soon as I felt sleepy, I’d finish it the next day. I don’t mind […]

New Rose Hotel (1998)

New Rose Hotel (1998) is based on a William Gibson short story but is pretty low-tech in terms of being anything cyberpunk. For director Abel Ferrara (of Bad Lieutenant and King Of New York), it’s more about the raw emotions surrounding what is basically a classic noir plot – a honey trap designed to secure […]