C’mon C’mon (2021)

I’m a Mike Mills guy. I wasn’t so much into Thumbsucker, but I became a fan through his autobiographical-inflected indie dramas like Beginners (based on his father) and especially 20th Century Women (based on his mother). I’m completely aware that some will dismiss Mills’ humanistic writing and design approach (complete with elegantly designed montages and […]

Outland (1981)

Peter Hyams wanted to make a western and so he set it in space with Outland (1981). From the title credits to the interiors, the aesthetic is clearly following the path of Ridley Scott’s Alien to the point where it feels like it takes place in the same galaxy and settles into a grimy, lived-in […]

Strange Days (1995)

Prowling through the dangerous streets of Los Angeles in the dead of night, sidewalks vibrating with people, partying, violence, confetti and smoke, Lenny Nero (Ralph Fiennes) changes the radio station of his BMW, bouncing across music styles and radio chatter – everything is played out and already been done. An ex-cop turned drug dealer, Nero’s […]

Hackers (1995)

I never saw Hackers (1995) when it came out in cinemas. The first time I properly watched it was with friends to make fun of it, a studio picture that tried to market one sub culture (internet hackers) to another (teens). To represent hacking as cool and punk seemed naff and silly, particularly with attractive […]

First Love (2019)

First Love (2019; Hatsukoi) combines a couple of my favourite sub-genres: One Wild Night and Multiple Parties Want One Thing. Directed by the prolific Japanese filmmaker Takashi Miike (13 Assassins, Blade Of The Immortal), we follow a young boxer Leo (Masataka Kubota) who goes from shiftless to despondent when he receives some bad news after […]