Category: Political
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Amarcord (1973)
I really became swept up in Amarcord’s (1973) approach to depicting a place, a time, a memory. Directed by Federico Fellini, and while not strictly autobiographical, the film is based on his memories growing up, set in the village of Borgo San Giulano during the 1930s and Benito Mussolini’s Fascism. Rather than having one character… Read.
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Torn Curtain (1966)
It’s interesting exploring the titles in a director’s career that don’t get as much celebration, particularly the later period films by a marketed auteur like Alfred Hitchcock. I remember mainly reading about Torn Curtain (1966) from a book about Paul Newman my Mum owned and in Scorsese On Scorsese where the farmhouse sequence is cited… Read.
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Roman J. Israel, Esq. (2017)
Often good acting is equated to external tics and Denzel Washington’s performance in Roman J. Israel, Esq. (2017) is a barrage of choices. The glasses, the fro, the gap in his teeth, the bow-legged walk, and so on. There are a lot of choices to create this character but I thought they were deeply felt… Read.
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The Great Silence (1968)
Spaghetti westerns were a genre that would be programmed on SBS Saturday Cult Movie Night and I remember seeing the end of The Great Silence (1968; Il Grande Silenzio) when I was younger. Recently, the film is referenced as an influence on Quentin Tarantino’s The Hateful Eight, name dropped as one of the filmmaker’s favourite… Read.
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The Spy Who Came In From The Cold (1965)
Richard Burton is perfectly dour and weary in the title role of the John Le Carre adaptation, The Spy Who Came In From The Cold (1965). Shot in black and white by cinematographer Oswald Morris and directed by Martin Ritt (who made Hud and Hombre), the film is set during the Cold War and follows… Read.
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