Afire (2023)

To me, unlikeable characters can be great protagonists. Sometimes they help identify and purge the unlikeable parts inside of us. Like with the pretentious writer Leon (Thomas Schubert) in director Christian Petzold’s Afire (2023). A classic stick in the mud, Leon accompanies his friend Felix (Langston Uibel) to a holiday house in Felix’s family, out […]

The Day He Arrives (2011)

In Hong Sang-soo’s The Day He Arrives (2011), a young film director Seong-Jun (Yoo Jun-sang) walks down the street of Seoul, wearing a puffy coat and a travelling backpack, intending to stay with a friend, a film critic, Young-ho (Kim Sang-joon). The director has made four movies but is in an on-going hiatus, living further […]

Claire’s Camera (2017)

I think it was Gene Siskel who determined a movie’s quality by the following dictum: Is this film more interesting than a documentary of the same actors having lunch? The films of Hong Sang-soo sometimes feel like you’re just watching a documentary actors sitting around and eating, though a key difference in the Sang-soo world […]

Modern Girls (1986)

Often described as L.A.’s answer to After Hours, Modern Girls (1986) feels much more indebted to the success of Desperately Seeking Susan as both are fuelled by a non-stop new wave soundtrack and boho club fashions. Taking place over the course of one night (a personal favourite sub-genre of mine), Modern Girls follows a quartet […]

Strange Colours (2017)

I watched director Alena Lodkina’s Strange Colours (2017) on SBS On Demand, a few days after I saw Ivan Sen’s Limbo in cinemas. While Limbo works in another recurring genre in Australian film – the crime genre – and there are clear differences in where they are shot, what they are looking at, particularly indigenous […]