Variety (1983)

A young white woman sitting in a ticket booth for a porno theatre. The key image to Variety (1983) that I had in my head before watching it. New York city in its grimy, sleazy prime. “The old New York” is an idea that has been mythologised into nostalgia, often calcified (HBO’s The Deuce, for […]

Morning Patrol (1987)

“The stupidest question anyone on Earth could ask: where the hell has everybody gone?” All the woman (Michele Valley) says she has is a coat and a knife. The world has fallen into dystopia and no-one can remember why. The countryside is littered with abandoned vehicles and detritus. Scavengers ride around in motorcycles. In the […]

El Planeta (2021)

A box of Ferrero Rocher chocolates in a display window. Filmed in digital black and white, a framed image that the camera lingers on and one of my favourite shots in the movie El Planeta (2021). In the Spanish town of Gijon, there are numerous shops boarded up, closed down on account of a recession. […]

White Material (2009)

The workers have reluctantly agreed to help. Five days at a coffee plantation as violent conflict happens. An unnamed African country. Rebel soldiers and the military fighting. The French colonialists have withdrawn, only Isabelle Huppert’s character stubbornly staying behind for a business that she married into. One more yield before they pack up and leave. […]

First Name: Carmen (1984)

Jean-Luc Godard in the 1980s is terrain I’ve always wanted to investigate. The French auteur coming back to narrative movies after the 1970s, retaining his experimentation and politics, and constantly assessed by reference to his fertile 1960s heyday aka “the fun stuff.” First Name: Carmen (1984) was the first from this 80s period that I […]