La Notte (1961)

La Notte (1961; aka The Night) is the middle of Italian director Michelangelo Antonioni’s trilogy including L’Aventura and L’Eclisse, and the one I’d always wanted to see. Antonioni’s slow, dispassionate style is intentionally alienating and difficult to wrestle with; I completely understand those who get bored by his work. Yet I do find something of […]

Lux Aeterna (2019)

I really loved Gaspar Noe’s Climax, a movie I watched on NYE 2018 and clicked with me more than Noe’s previous provocations like Irreversible or Enter The Void. His most recent production is a short art film, Lux Aeterna (2019), was produced by fashion line Saint Laurent, which exists I guess as corporate synergy to […]

The Gleaners And I (1999)

Late one Sunday evening, dreading work the next day and coming off a fading headache, I browsed around for half an hour thinking about what to watch, not interested in dramatics or action, and eventually felt despondent. Then on a whim, I thought I’d watch something by Agnes Varda and picked The Gleaners And I […]

Zabriskie Point (1970)

I mainly knew that Zabriskie Point (1970) was a flop at the time of release, a disappointment for Italian art-film director Michelangelo Antonioni after the international success of Blow Up. That, and thanks to a SCTV sketch, I knew that things blew up real good at the end. Palace Cinemas Raine Square were screening Zabriskie […]

The Immortal Story (1968)

The morning after I saw Mank at the cinemas, I was like Fincher Smincher, I want to watch me some Orson Welles! The Immortal Story (1968) was available to stream on Mubi and was the last film that Welles completed in his life time as a director, something he shot for French TV, hence the […]