Category: Arthouse Cinema
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Return To Seoul (2022)
A character study whose style mirrors the push-and-pull of its protagonist, Return To Seoul (2022) follows a young French woman, Freddie (Park Ji-Min), who was adopted from South Korea. Visiting the home of her birth parents on a spur-of-the-moment deal, she also decides to track them down, and is completely unprepared for the emotional consequences.… Read.
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The Iron Rose (1973)
The Iron Rose (1973; La Rose de Fer) is the third film I’ve seen from French director Jean Rollin, and along with Spanish filmmaker Jess Franco, their names represent a quintessential arty Euro-horror milieu. Rollin is known for low-budget genre flicks, usually concerning vampires, where there’s nudity and blood, and actors wandering around castles and… Read.
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Frownland (2007)
I’d always been curious about Frownland (2007) ever since reading Roger Ebert’s review upon its release – it sounded uncompromising and aggravating, a punishing American indie “comedy”, the type of thing that would never get a cinema release (well, in Australia) and you would have to wait until an import DVD might be available at… Read.
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Goodbye, Dragon Inn (2003)
In Goodbye, Dragon Inn (2003), there’s an obvious contrast between the 1960s wuxia film being screened, Dragon Inn, and the dilapidated cinema where its being shown; the faded film stock of adventure and action compared to the mundane stillness of empty cinema seats and rain dripping from the ceiling. Within Taiwanese director Tsai Ming-liang’s slow… Read.
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The Grandmaster (2013)
I can’t remember much of a cinema release for Wong Kar-wai’s The Grandmaster (2013); it felt like its mixed reception resulted in an underwhelming reputation. Unexpectedly a martial arts movie for fans of Wong Kar-wai’s arthouse melodramas, it might have been too much of an arthouse melodrama for fans of martial arts movies. I was… Read.
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