Frownland (2007)

I’d always been curious about Frownland (2007) ever since reading Roger Ebert’s review upon its release – it sounded uncompromising and aggravating, a punishing American indie “comedy”, the type of thing that would never get a cinema release (well, in Australia) and you would have to wait until an import DVD might be available at […]

Goodbye, Dragon Inn (2003)

In Goodbye, Dragon Inn (2003), there’s an obvious contrast between the 1960s wuxia film being screened, Dragon Inn, and the dilapidated cinema where its being shown; the faded film stock of adventure and action compared to the mundane stillness of empty cinema seats and rain dripping from the ceiling. Within Taiwanese director Tsai Ming-liang’s slow […]

The Grandmaster (2013)

I can’t remember much of a cinema release for Wong Kar-wai’s The Grandmaster (2013); it felt like its mixed reception resulted in an underwhelming reputation. Unexpectedly a martial arts movie for fans of Wong Kar-wai’s arthouse melodramas, it might have been too much of an arthouse melodrama for fans of martial arts movies. I was […]

Un Flic (1972)

Grey buildings standing imposingly on a French coastline. An incoming storm whips the ocean and rain washes over deserted streets. A car moves slowly with four men in trench-coats and hats. They stop on a street corner and through the mist is a bank with its lights on, just about to close for the day, […]

The Woman Who Ran (2020)

I’ve not seen any of South Korean filmmaker Hong Sang-soo’s work – he’s made like over twenty moderately budgeted movies – before The Woman Who Ran (2020), which appealed to me because it was available on SBS On Demand and it was only 77 minutes long. The first thing I can say: zooms. A camera […]