Personal Shopper (2014)

Irma Vep might be director Olivier Assayas’ high-point and the first film I saw of his back in the late 1990s. I’m a fan of Assayas when he also skirts with the thriller genre, the films of his that involve tracking characters through geo-political espionage such as Demonlover, Boarding Gate (one of my faves) and […]

Knife + Heart (2018)

I was so keen to see Knife + Heart (2018; Un couteau dans le coeur), a queer take on the giallo genre, when it showed at the French Film Festival a few years back. I missed it at cinemas and was meaning to catch up with it – thank the neon-lit heavens for Mubi keeping […]

Cemetery Of Splendour (2015)

What I most want from an art movie is to be taken to somewhere else. Another part of the world, yes, but also taken to another way of seeing. Cemetery Of Splendour (2015; Rak Ti Khon Kaen) is only my second film that I’ve watched from Thai auteur Apichatpong Weerasethakul (after Uncle Boonmee Who Can […]

Buzzard (2014)

Heavy metal music blaring and a freak out over a busted Nintendo power glove, this is the first scene of dark indie comedy, Buzzard (2014), one of the several collaborations between Michigan based director Joel Potrykus and star Joshua Burge. I loved their last film together from 2018, the surreal Relaxer, and I was keen […]

Sweet Virginia (2017)

I sometimes still think about Sweet Virginia (2017) which I watched one grey afternoon on Netflix several years ago. I think it’s a good neo-noir thriller, not a great one; it flirts close to the nihilistic edge of something like No Country For Old Men, but sort of flinches, which is both a good and […]