Sibyl (2019)

I think I had the mistaken impression that Sibyl (2019) was an erotic thriller (the first act initially made me think of Francois Ozon’s Double Lover), which it isn’t. But there’s lots of intrigue and tension throughout, a psychological character study that is about a few things at once: sexual desire, substance addiction, creative process, […]

Security (2017)

Antonio Banderas’ soulful performance in Pain And Glory made me really re-appreciate him as an actor. But also seeing him carry a Direct to Video action movie called Security (2017) was another testament to his presence and talent. Banderas is not sleep walking through this moderately budgeted B-movie Die Hard rip off where he plays […]

Maps To The Stars (2014)

“Please. No film noir questions.” Maps To The Stars (2014) fits into the sub-genre of Hollywood noir or neo-noir rather, a descendant of Sunset Boulevard’s scathing look at the film industry, wrapped up in murder, gothic imagery, grotesqueries, and sardonic comedy. David Cronenberg’s film, the first he shot in Los Angeles, and working with a […]

Saint Maud (2019)

Saint Maud (2019) is a critically acclaimed contemporary horror movie – the feature film debut of British director Rose Glass – that didn’t get a cinema release in Perth, and is now available direct to digital. There’s a cliche now of A24 type modern horror movies that are more like psychological character studies that only […]

Personal Shopper (2014)

Irma Vep might be director Olivier Assayas’ high-point and the first film I saw of his back in the late 1990s. I’m a fan of Assayas when he also skirts with the thriller genre, the films of his that involve tracking characters through geo-political espionage such as Demonlover, Boarding Gate (one of my faves) and […]