Classical Period (2018)

The main reason I watched Classical Period (2018) was that its running time was 60 minutes and it was available to stream on Mubi. After watching Classical Period, I grew to appreciate it more thinking about it, particularly after reading a few interviews with the director-writer Ted Fendt, a film projectionist who self-funds his movies, […]

Don’t Let The Riverbeast Get You! (2012)

In certain circles of film fans, the movies from Motern Media have a growing, niche audience. Low budget movies produced in the New England area by Matt Farley and Charles Roxburgh and their collaborators. Roxburgh usually directs, Farley stars and scores, and they co-write these opuses, mainly released through their website. Settling down to watch […]

The Grandmaster (2013)

I can’t remember much of a cinema release for Wong Kar-wai’s The Grandmaster (2013); it felt like its mixed reception resulted in an underwhelming reputation. Unexpectedly a martial arts movie for fans of Wong Kar-wai’s arthouse melodramas, it might have been too much of an arthouse melodrama for fans of martial arts movies. I was […]

Support The Girls (2018)

A friend working in a video store (shout-out to Kirsten!) lent me a preview DVD that contained director Andrew Bujalski’s Funny Ha Ha. We both loved that movie and became mublecore fans. But there was always something about Bujalski, particularly now as his movies appear more like mainstream comedies like Results, he still retains a […]

Sabotage (2014)

In the space of a week, I watched both Triple 9 and Sabotage (2014), which would make a good double feature under the sub-genre of “corrupt cops commit heist”. Along with Den Of Thieves, there’s a similar post-Heat aesthetic but jacked-up with scumbag Monster drink energy. While Triple 9 has some great sequences, looks amazing, […]