The Coward (1965)

The Coward (1965) – also known as Kapurush – is a film by Indian filmmaker Satyajit Ray. Having only seen Pather Panchali, I am still pretty clueless about Ray’s filmography and only heard about The Coward with the recent Criterion Channel’s spotlight on the director’s work. The story itself – a screenwriter encounters a past […]

Army Of Shadows (1969)

Programming the VCR recorder to tape Le Samourai off daytime SBS was my introduction to director Jean-Pierre Meville, mainly because I’d read about him in old classic cinema books as well as knowing that film was an influence on John Woo’s The Killer (as well as Ronin, Ghost Dog, etc). I’ve only slowly caught up […]

Spring Night, Summer Night (1967)

Restored by Nicolas Winding Refn’s brand, byNWR.com, and available on that website as well as Mubi, Spring Night, Summer Night (1967) is a rediscovered film, the only feature length directorial work by Joseph L. Anderson, a film professor from the University Of Ohio. Aiming for neo-realism while focused on country people in Ohio, the black-and-white […]

The Basilisks (1963)

I’ve only seen one Lina Wertmuller movie and that was Love And Anarchy, which was great. Wertmuller’s debut film The Basilisks (1963; I basilischi aka The Lizards) was featured in the Mubi library in a remastered new edition. One sleepy Saturday morning, I decided to take a gamble on it and after the five minutes, […]

Faces (1968)

Carousing is one word I’d used to describe the events in Faces (1968), a key John Cassavetes film I’d always be meaning to see (ever since Scorsese referenced it in his Personal Journey Through American Cinema docu-series). Self-financed from acting jobs for other movies, and shot around his own house, Cassavetes explores marriages, love and […]