Last Year At Marienbad (1961)

Guests in suits and evening dresses. A palace repurposed as a hotel. Refinement that feels like another time, another place. The camera tracks through the hallways, taking in the space, the high ceilings, the ornate interior decoration. In the hotel, people often stand still, pausing as if waiting for direction. Like actors in the small […]

Boom! (1968)

“What’s human or inhuman is not for human decision!” I love Who’s Afraid Of Virginia Woolf? starring Elizabeth Taylor and Richard Burton, and have always been curious about the other movies they made together, particularly when their tabloid exploits as a movie star couple overshadowed them. Most of them I’ve heard are not so hot […]

A Colt Is My Passport (1967)

Watching Japanese 1960s crime flicks (particularly those produced by Nikkatsu Corporation) is always an insight into how much Quentin Tarantino has ripped off them off (also Jim Jarmusch when he makes hitman movies, and I tend to think of Jarmusch a bit more just because there’s a certain level of economy shared). Then again, A […]

Alphaville (1965)

My enduring memory of Alphaville (1965) was the shot near the end of a Parisian freeway at night, the collection of lights in the darkness, a simple and low budget way of implying a future space. To travel to another galaxy as mundane as driving down a highway, yet still otherworldly in the grainy black […]

Point Blank (1967)

Lee Marvin in a series of dapper suits with a revolver in hand is enough for a 1960s neo-noir like Point Blank (1967) but the actor’s collaboration with young British director John Boorman offered them both a chance to push the crime genre into pop art experimentation. Revisiting Point Blank, it feels like Steven Soderbergh […]