Revolver (1973)

Continuing a quest to actually watch the movie of an Ennio Morricone soundtrack that I really like listening to, Revolver (1973; aka Blood In The Streets) is an example of the Eurocrime/Poliziotteschi genre as well as an Italian-German-French co-production. The main musical theme – a mournful, orchestral folk-pop number – was used by Tarantino in […]

Bicycle Thieves (1948)

Ever since the writer character Vincent D’Onofrio played in The Player went to a screening of Bicycle Thieves (1948; Ladri di biciclette aka The Bicycle Thief), championing it as true cinema, I always felt guilty for never having seen it. After copping a DVD copy, and letting it sit on a shelf for a long […]

The Tomb Of Ligeia (1964)

Once more into the breach, dear friends, with a first time viewing of a title from the Vincent Price Collection Blu-ray Boxset. The Tomb Of Ligeia (1964) is another Edgar Allan Poe adaptation directed by Roger Corman. Key difference is that it was a UK co-production and shot in England, which means better out door […]

Day Of The Cobra (1980)

Wading further into the genre of poliziottesco/Eurocrime, Day of the Cobra (1980; Il giorno del Cobra) stars Italian superstar Franco Nero (the original Django himself) as the “Cobra”, a name which is never explained but has a catchy theme song (with the bluesy lyric, “Don’t give a damn – I am the Cobra!”). The movie […]

Night Moves (1975)

Night Moves (1975) is an underrated example of the neo-noir genre of the era. Alongside Chinatown and The Long Goodbye, these films paid tribute to 1940s noir while investing everything with a post-Watergate feeling of disappointment; in Night Moves, for example, there’s a scene where characters talk about where they were when JFK was killed. […]