A Tale Of Sorrow And Sadness (1977)

My knowledge of Seijun Suzuki as a director is around his 1960s gangster movies like Youth Of The Beast, Tokyo Drifter and Branded To Kill. All of which are shot through with distinctive black comedy and visual panache that made Suzuki beloved to directors he later inspired like Quentin Tarantino and Jim Jarmusch. While there’s […]

Winter Kills (1979)

Winter Kills (1979) is the absurdist extension of the conspiracy thriller in vogue during the 1970s. Imagine The Parallax View, a riff on imagined counter narratives to the official record of the JFK assassination, but exaggerated with a strange comedy, not quite spoof or parody. Each scene in Winter Kills is eventually marked by a […]

Soldier Of Orange (1977)

Tuxedos and tails are a recurring item of clothing. Initially worn by the group of male uni students at parties, signifying their upper class status. Later as World War II leads to Holland being invaded and occupied by Nazi Germany, the tuxedo is used by resistance members reentering their own country, passing themselves as members […]

Mike’s Murder (1984)

We don’t see the murder. Director and writer James Bridges apparently filmed one, and it was part of the negative test screenings that forced him to re-edit and structurally rearrange Mike’s Murder (1984) before its release. The original intention with Mike’s Murder was a film that was subjective with dream sequences and flashbacks; what was […]

Boiling Point (1990)

Takeshi Kitano treats violence with the same structural impact as building a gag in comedy. Boiling Point (1990) veers between violence as a joke – a call back, or a punchline, like when a young kid refuses a helmet on his first motorcycle, and then cut to him sitting stunned with a bloody face – […]