Endgame (1983)

Directed by Joe D’mato, Endgame (1983) is another Italian rip-off post-apocalypse movie and much like Lucio Fulci’s Warriors of the Year 2072, it’s about televised death sports, preempting The Running Man movie, though more than likely copying Rollerball. While not as stylish or gory as Fulci’s film, I enjoyed Endgame more. It spends 30 minutes in the world of ‘Endgame’, where three hunters […]

Reflection In A Dead Diamond (2025)

What I appreciate about Helene Cattet and Bruno Forzani (Let The Corpses Tan, The Strange Colour Of Your Body’s Tears) as filmmakers is that they are fetishists. Drawing upon memories of genre cinema – a gesture, a moment, a flourish – and not simply re-creating them, but deconstructing and exploding them. With Reflection in a […]

The Hot Spot (1990)

Look, I always knew about The Hot Spot (1990) because of an adolescent crush on Jennifer Connelly. A neo-noir directed by Dennis Hopper was also an alluring proposition, Don Johnson in the lead as an opportunistic drifter in a small Texan town, caught between two archetypical babes, the girl next door (Connelly) and the southern […]

Hollywood 90028 (1973)

I only watched Jaques Demy’s Model Shop when Quentin Tarantino programmed it as part of a retrospective that was shown on SBS, as it was a clear influence on Once Upon A Time In Hollywood as a ‘Driving around LA’ movie. In Once Upon A Time, it’s about a cool guy driving around L.A. while […]

The Big Combo (1955)

There are images in The Big Combo (1955) that are everything you want from a classic Film Noir. Opening with a woman stepping down a darkly lit corridor, backstage to a boxing match, pursued by suited figures. Later, a man in a suit wearing a hat emerges from the fog outside, stepping into a hangar to catch […]