Bloody Moon (1981)

Must a film be coherent? Eurohorror has so much to teach us. The American slasher genre filtered through Spanish director Jess Franco in gun-for-hire mode. Accentuated by watching the English dub where the voiceover artists are rushing through dialogue at a speedy clip, another layer to what is already alien onscreen behaviour. A group of […]

High Heels (1991)

High Heels (1991) is like Pedro Almodóvar inviting the audience to a boutique shop to peruse and sample. Melodrama is the purpose for being there, but the pleasure lies in admiring and marvelling at all the wares: the wigs, the hairstyles, the dresses, the shoes, the gloves, the earrings. High Heels has a striking colour […]

El Planeta (2021)

A box of Ferrero Rocher chocolates in a display window. Filmed in digital black and white, a framed image that the camera lingers on and one of my favourite shots in the movie El Planeta (2021). In the Spanish town of Gijon, there are numerous shops boarded up, closed down on account of a recession. […]

Conquest (1983)

After listening to the recent Pure Cinema Podcast episode on Fantasy movies, I was keen to submerge myself into some 1980s era sword-and-sorcery flicks. One title they talked highly of, and that I’d heard good word for some time, was Italian horror maestro Lucio Fulci’s entry into the post-Conan genre, Conquest (1983), an Italian-Spanish-Mexican co-production, […]

Our Time (2018)

I took a chance on Mexican filmmaker Carlos Reygadas’ Post Tenebras Lux mainly on the basis of the intriguing image of a red demon with horns moving through a living room. In the end, that was one surreal image included in a visually immersive arthouse drama about an upper class family and their workers in […]