Here (2023)

Two characters walk through a Belgian forest on the outskirts of the city. A shot follows one of the characters as they move, and the sound design emphasises the ambience of nature. The leaves rustling, the wind, and cracking trees. We don’t hear the human footsteps as they trudge, and as we see between bushes, […]

Trenque Lauquen (2022)

I only heard about the film Trenque Lauquen (2022) through Simon Miraudo reviewing it on Letterboxd. A four hour shaggy-dog mystery from Argentina might have passed me by, but it completely sounded like something that I’d like to seek out. Directed and co-written by Laura Citarella, this is a mystery that ventures off into different […]

Le Navrie Night (1979)

When it comes to art cinema, and slow cinema, I often think of an ideal viewer that must exist who is 100% alert and awake, and intellectually keyed into the symbolism and poetics that might take place. But then again, why should I judge myself against an ideal viewer that doesn’t exist? If you fall […]

Goodbye, Dragon Inn (2003)

In Goodbye, Dragon Inn (2003), there’s an obvious contrast between the 1960s wuxia film being screened, Dragon Inn, and the dilapidated cinema where its being shown; the faded film stock of adventure and action compared to the mundane stillness of empty cinema seats and rain dripping from the ceiling. Within Taiwanese director Tsai Ming-liang’s slow […]

Je Tu Il Elle (1974)

One haunting image from the film, Je Tu Il Elle (1974; I You He She), is when Julie, the young woman played by the director, Chantal Akerman, has shifted furniture out of her ground floor apartment, and has moved her bed against the wall. Sitting against an alcove in the corner of the room, near […]