Black Coal, Thin Ice (2014)

I really loved Chinese director Diao Yinan’s neo-noir The Wild Goose Lake. I’ve seen it twice now, and it is definitely style over substance, in that I remember most fondly the images and sequences rather than the story itself. Purple neon hotel lighting engulfing a room where three thieves talk shop. A motorbike at night, […]

Place Vendôme (1998)

Place Vendôme (1998) fits the bill for French neo-noir in that the key female characters are glamorous blondes while the men are all weathered looking mutts. The cinematography feels very 1990s “movie for adults” in the dark hues of the interiors, and its overall polished feeling, reminiscent of a Grisham or Le Carre adaption from […]

Variety (1983)

A young white woman sitting in a ticket booth for a porno theatre. The key image to Variety (1983) that I had in my head before watching it. New York city in its grimy, sleazy prime. “The old New York” is an idea that has been mythologised into nostalgia, often calcified (HBO’s The Deuce, for […]

Bastards (2013)

Cascading rain in close-up against a building at night as moody synth from the Tindersticks plays over the soundtrack. The opening shot to Claire Denis’ film, Bastards (2013), hooked me in and visually established its neo-noir vibe. One of my favourite shots later in the film was of a woman, Chiara Mastroianni – seen from […]

Special Effects (1984)

What I enjoy about Larry Cohen is how he approaches things as a writer: the story’s gotta have a hook! Released in the same year as Brian De Palma’s Body Double, Cohen’s film Special Effects (1984) is a comparable twist on a Hitchcockian thriller. The hook: What if a movie director was a murderer? (A […]