Séance (2000)

Kiyoshi Kurosawa knows how to make a ghost an eerie presence within a frame. Simple and effective in design. A blur where a face should be. An identifying colour in their clothing. Something that registers the eye eventually as they emerge from a shadow or appear in the visual dimension. They don’t seem aggressive in […]

Eyes Of The Spider (1998)

1997 was a busy year for Kiyoshi Kurosawa. Serpent’s Path and Eyes Of The Spider (1998) were two movies united by the same theme – revenge – and the same star – Sho Aikawa. They were low budget movies for the straight-to-video market and each apparently only had a two week shoot. In between, Kurosawa […]

Serpent’s Path (1998)

The point of view shot of a car driving down inner city roads; there’s an emptiness to the streets. In the car, two men are on a mission of revenge, Nijima (Sho Aikawa) and Miyashita (Teruyuki Kagawa). Miyadhita’s child has been molested and murdered. They know the culprit. They have a soundproofed warehouse. Revenge will […]

Pulse (2001)

I don’t know how director Kiyoshi Kurosawa and his collaborators pull this off, but in an opening sequence of Pulse (2001) where we observe a young woman visit a friend’s apartment, cutting from her travel in a bus interior to walking down a street to walking up the apartment block stairs, all of this is […]

Seventh Code (2013)

Seventh Code (2013): file under the category of “good one-hour movies.” Shot and filmed in Russia, a young Japanese woman named Akiko (Atsuko Maeda, pop singer and former member of girl group AKB48) races into frame, dragging a suitcase behind her. She is in pursuit of a Japanese man in a suit, Matsunaga (Ryohei Suzuki) […]