Mandy (2018)

I was really primed with anticipation for Mandy (2028) and yeah, no surprises, but I loved it. Definitely a case of style over substance or that style is the substance here, but I fully bought into director Panos Cosmatos’ desire to create a “1983 A.D.” where lumberjacks, religious cults, biker gangs were all subsumed in […]