A Tale Of Sorrow And Sadness (1977)

My knowledge of Seijun Suzuki as a director is around his 1960s gangster movies like Youth Of The Beast, Tokyo Drifter and Branded To Kill. All of which are shot through with distinctive black comedy and visual panache that made Suzuki beloved to directors he later inspired like Quentin Tarantino and Jim Jarmusch. While there’s […]

License To Live (1998)

There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known […]

Kids Return (1996)

Kids Return (1996) is a title I remember because it would always be programmed on SBS. I was aware of Takeshi Kitano as a teenager, mainly when Fireworks was released and received praise from critics like Margaret and David on The Movie Show. There’s a power and beauty to Fireworks with the subplot of the […]

Boiling Point (1990)

Takeshi Kitano treats violence with the same structural impact as building a gag in comedy. Boiling Point (1990) veers between violence as a joke – a call back, or a punchline, like when a young kid refuses a helmet on his first motorcycle, and then cut to him sitting stunned with a bloody face – […]

Chime (2024)

After I watched Chime (2024) at home, I started washing up dishes in the kitchen and felt a rising pressure in my head. At 45 minutes length and directed by Kiyoshi Kurosawa, Chime builds tension with no release. Obviously its short length might preclude a fuller narrative experience, more time given to understand what’s going […]