Endgame (1983)

Directed by Joe D’mato, Endgame (1983) is another Italian rip-off post-apocalypse movie and much like Lucio Fulci’s Warriors of the Year 2072, it’s about televised death sports, preempting The Running Man movie, though more than likely copying Rollerball. While not as stylish or gory as Fulci’s film, I enjoyed Endgame more. It spends 30 minutes in the world of ‘Endgame’, where three hunters […]

Burial Ground (1981)

As an Italian zombie flick, Burial Ground (1981) spends a lot of time with decaying zombie faces in close-up, crud-strewn make-up with maggots wriggling around. I couldn’t help but wonder… did the make-up artist apply the maggots carefully with a tweezer, or did they just dump a bucket upside down the zombie’s head and see […]

The Whip And The Body (1963)

When a film communicates two emotions happening across a character’s face, all in the one shot, the magic trick of that. In the Mario Bava directed film, The Whip and The Body (1963), there’s a tremendous close-up of the character of Nevenka (Dahlia Lavi), walking down a darkened castle hallway, approaching a door where she […]

Four Of The Apocalypse (1975)

Four Of The Apocalypse (1975) is a late-period spaghetti western, as the Italian genre was on the decline in the 1970s, directed by Lucio Fulci. Even though this before Fulci’s ‘Gates of Hell’ trilogy, and some of the more gnarlier movies that would make his name as a horror filmmaker (Zombi 2, The New York […]

The 10th Victim (1965)

When a film depicts the future, it’s not just a vision of the future but a document of the time. Case in point, The 10th Victim (1965) which is set in the year 2079 and based on the short story by Robert Sheckley, and yet, it is completely a time capsule of 1960s pop-art, comic-book […]