Killer Of Sheep (1977)

Thanks to Revelation Film Festival’s online version of their annual film festival, Couched, which ran this year in July, they included a Black Lives Matter section that included two films by Black American filmmaker Charles Burnett. Killer Of Sheep (1977), Burnett’s thesis film at UCLA, was something I’d long wanted to see due to its […]

Siberia (2020)

I’ve recently been following up the work of director Abel Ferrara and catching up on the films I haven’t seen (Mary, Driller Killer, Welcome To New York, Fear City). When Revelation Film Festival announced its online festival, COUCHED, which ran during July this year, and that one of its selected films was Siberia (2020), one […]

The Doom Generation (1995)

I remember The Doom Generation (1995) was released into cinemas when I was a teenager, as a hip US indie – maybe a bit on the back of Pulp Fiction and the similarity of Rose McGowan’s Louise Brooks bob/overall look to Uma Thurman. I also recall Roger Ebert – whose reviews I read back then […]

Exotica (1994)

Atom Egoyan’s early work was a regular fixture on SBS Saturday Cult Movie night and him, alongside Hal Hartley, defined a certain indie cinema aesthetic pre-Tarantino. I remember Egoyan’s break-out arthouse hit Exotica (1994) being advertised as an erotic thriller, posters and video boxes using the imagery of Mia Kirshner’s character dancing in a school […]

Daddy Longlegs (2009)

While just as stressful as later films by the Safdie Brothers like Good Time and Uncut Gems, their first major indie feature, Daddy Longlegs (2009) is also gentler in a way. It focuses on a dad played by their future co-writer and editor Ronald Bronstein (also a director of the indie Frownland) and his performance […]