Foxfur (2012)

Foxfur (2012) won me over by its title credit sequence using Tangerine Dream’s ‘Crystal Voice’ from the original Firestarter film soundtrack, trippy synth ambience over an image of outer space. This is the first film of cult director Damon Packard’s that I’ve now seen, and knowing that it was one hour long and available for […]

Variety (1983)

A young white woman sitting in a ticket booth for a porno theatre. The key image to Variety (1983) that I had in my head before watching it. New York city in its grimy, sleazy prime. “The old New York” is an idea that has been mythologised into nostalgia, often calcified (HBO’s The Deuce, for […]

Grass (2018)

“I believe that my films are not made to express a story, but to feature some fragments” – Hong Sang-soo. A couple catch up in a cafe. Classical music plays on the stereo; apparently the cafe owner loves classical music. At times, the music swells and almost drowns out the conversation. Then again, what seems […]

Classical Period (2018)

The main reason I watched Classical Period (2018) was that its running time was 60 minutes and it was available to stream on Mubi. After watching Classical Period, I grew to appreciate it more thinking about it, particularly after reading a few interviews with the director-writer Ted Fendt, a film projectionist who self-funds his movies, […]

Deadbeat At Dawn (1988)

Deadbeat At Dawn (1988) is a splatter-punk symphony on a beer can budget. Directed, written, and starring Jim Van Bebber, a film school drop-out who put everything into this low-budget action flick, even choreographing the fights and stunts. With gang members in ripped denim and head-bands, sporting switch-blades and nunchaka, this movie has been compared […]