The Wild Pear Tree (2018)

Director Nuri Bilge Ceylan uses the three-hour running time of The Wild Pear Tree (2018) to give considerable scope to individual encounters. Sinan (Dogu Demirkol) spends a lot of the movie walking, often wandering around deep in thought, and a recurring pattern within the narrative is Sinan bumping into someone, and beginning to chat with […]

Read More The Wild Pear Tree (2018)

Chime (2024)

After I watched Chime (2024) at home, I started washing up dishes in the kitchen and felt a rising pressure in my head. At 45 minutes length and directed by Kiyoshi Kurosawa, Chime builds tension with no release. Obviously its short length might preclude a fuller narrative experience, more time given to understand what’s going […]

Read More Chime (2024)

Vengeance Is Mine (1984)

Typing Vengeance Is Mine as a movie title produces a few results including the Shōhei Imamura movie from 1979 and a direct to video Steven Seagal action flick from 2010. For Michael Roemer’s film, Vengeance Is Mine (1984), which he wrote and directed, the title might give the wrong impression. It is not a revenge […]

Read More Vengeance Is Mine (1984)

Losing Ground (1982)

When we first see philosophy professor Sara (Seret Scott), she is lecturing to a classroom behind a lectern, glasses on and hair tied into a bun, discussing Jean-Paul Satre. This opening scene of Losing Ground (1982) might indicate that this will be a heady, intellectual film, but it’s really about peeling back the layers underneath […]

Read More Losing Ground (1982)

Coma (2022)

Bedroom pop? Or bedroom shoegaze? More like bedroom darkwave. Dedicated in an opening narration to his 18 year old daughter, French director Bertrand Bonello made Coma (2022) during Covid lockdown and frames the teenage bedroom as its setting. Even with the alarms outside reiterating lockdown curfew, the sight of a teenager stuck in their bedroom, […]

Read More Coma (2022)