Contempt (1963)

Contempt (1963; Le Mepris) was a film that I admired or appreciated rather than loved. I’ve long read about it, seen it discussed by film critics and directors, and it did help to learn this was director Jean-Luc Godard’s only film financially backed by American film producers and that he didn’t like the filming experience. […]

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The Long Goodbye (1973)

American cinema in the 1970s had an interest in reviving older genres, and film noir was a great way of expressing society’s disillusionment and paranoia. Casting the hangdog, bemused charm of Elliott Gould as the classic detective character of Philip Marlowe in The Long Goodbye (1973) must have seemed like a joke to fans of […]

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Murder By Contract (1958)

My favourite moment in Murder By Contract (1958) was when Claude (Vince Edwards), the cool out-of-town contract killer wearing a suit and a pair of shades, is picked up by two hoods (Philip Pine and Herschel Bernadi) who will oversee his assassination of a jury witness. Claude wants to tour the sights of LA. “I’d […]

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Red Desert (1964)

Michelangelo Antonioni is a divisive auteur and I can understand why some people don’t like him – wealthy people being bored in slow narratives where nothing much happens. But I really like L’Eclisse and The Passenger as absorbing portraits of alienation. Red Desert (1964; Il deserto rosso) was advertised as Antonioni’s first film in colour, […]

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