Eileen (2023)

Eileen (2023) is a character study. It’s also about stretching out the tension. The question keeps occurring: where is all this going? It’s the mid-1960s, it’s wintery and grey Massachusetts. Eileen works as a secretary in a prison. She looks after an alcoholic ex-cop father. She has daydreams about sex, or about killing her father. As […]

City On Fire (1987)

Saxophone is the weapon of choice for Teddy Robin’s score to City On Fire (1987). I couldn’t help but think of the David Sanborn sax sound to the Lethal Weapon soundtrack. What I love about Hong Kong cinema in the 1980s (and into the 1990s) is that circuit loop, of taking on influences from western […]

Here (2023)

Two characters walk through a Belgian forest on the outskirts of the city. A shot follows one of the characters as they move, and the sound design emphasises the ambience of nature. The leaves rustling, the wind, and cracking trees. We don’t hear the human footsteps as they trudge, and as we see between bushes, […]

New Jerusalem (2011)

New Jerusalem (2011) takes the trope of the talkative co-worker to an intimate, thoughtful level. In a Virginian garage, two men are first seen moving tires around the driveway. Sean (Colm O’Leary) is brooding and quiet, opening up a little to the inquisitive Ike (Will Oldham). Originally from Ireland, but having served in the US […]

The Empty Beach (1985)

Bogie in Bondi. The Empty Beach (1985) is a neo-noir shot in Sydney during the mid-1980s, and based on a novel by Peter Corris, one of a series of books devoted to his detective character, Cliff Hardy. A commercial failure at the Australian box office, this is a boilerplate mystery. But what was satisfying to […]