Glass Chin (2014)

A friend, Adriane, first made me aware of director Noah Buschel by recommending his sports melodrama, The Phenom. Catching up with Buschel’s earlier films, I’ve been really taken by his application of neo-noir conventions and tropes within a low budget indie vision. From mannered dialogue to clearly intentionally framing and lighting, to the use of […]

Red Rooms (2023)

We love an inscrutable protagonist, don’t we, folks? Red Rooms (2023) offers up a compelling protagonist in Kelly-Anne played excellently by Juliette Gariép with eerie stillness. We learn that Kelly-Anne is a model, is addicted to playing online poker, and is first witnessed sleeping in the street to attend the trial of Ludovic Chevalier, charged […]

The Prowler (1951)

When I was in my adolescent phase of loving James Ellroy novels (not so much a fan anymore), I remember the crime author mentioning The Prowler (1951) as one of his favourite classic film noirs. Considering Ellroy’s past as a degenerate substance-addicted peeper before he became a writer (which he talks about in the documentary […]

Gun Crazy (1950)

Always gratifying to hear about a film for a long time that’s considered a classic, like Gun Crazy (1950) is considered a classic of film noir, and when you finally watch it, it’s so clear and apparent how great the movie is. Yes, this is a classic. Why did it take me so long to […]

Séance (2000)

Kiyoshi Kurosawa knows how to make a ghost an eerie presence within a frame. Simple and effective in design. A blur where a face should be. An identifying colour in their clothing. Something that registers the eye eventually as they emerge from a shadow or appear in the visual dimension. They don’t seem aggressive in […]