Pale Blood (1990)

Somewhere between TV shows like Silk Stalkings and Forever Knight, there’s the direct-to-video horror thriller, Pale Blood (1990). A hang over of Miami Vice aesthetics employed in the service of arty genre trash. And yet, there’s a certain elegance here, thanks to the stoic presence of George Chakiris (from the original West Side Story) as […]

Creepy (2016)

There’s a masterclass sequence in Creepy (2016) that shows off Kiyoshi Kurosawa’s command with visually increasing uneasiness. A retired detective now a college professor Takakura (Hidetoshi Nishijima from Drive My Car) is working with his former partner Nogami (Masahiro Higashide) on a cold case, a missing family who disappeared five years ago. Within the university […]

Eileen (2023)

Eileen (2023) is a character study. It’s also about stretching out the tension. The question keeps occurring: where is all this going? It’s the mid-1960s, it’s wintery and grey Massachusetts. Eileen works as a secretary in a prison. She looks after an alcoholic ex-cop father. She has daydreams about sex, or about killing her father. As […]

City On Fire (1987)

Saxophone is the weapon of choice for Teddy Robin’s score to City On Fire (1987). I couldn’t help but think of the David Sanborn sax sound to the Lethal Weapon soundtrack. What I love about Hong Kong cinema in the 1980s (and into the 1990s) is that circuit loop, of taking on influences from western […]

Full Contact (1992)

A night full of rain lit by the flames from multiple explosions. Motorcycle silhouette and hair metal power ballad wailing on the soundtrack. The Whitesnake MTV music video aesthetic crossed with the HK action cinema Heroic Bloodshed. This is Full Contact (1992), directed by Ringo Lam and reuniting him with star Chow Yun-Fat after films […]