Fruit Of Paradise (1970)

When it comes to the avant garde as long as it looks good, I don’t care if it’s incomprehensible. Not that I really think Czech director Věra Chytilová’s Fruit Of Paradise (1970) is incomprehensible. I have seen Chytilová’s most famous film, Daisies, twice in my life and enjoyed it. In the first ten minutes of […]

Claire’s Camera (2017)

I think it was Gene Siskel who determined a movie’s quality by the following dictum: Is this film more interesting than a documentary of the same actors having lunch? The films of Hong Sang-soo sometimes feel like you’re just watching a documentary actors sitting around and eating, though a key difference in the Sang-soo world […]

Do Not Expect Too Much From The End Of The World (2023)

“Where’s the director? … I have one word for you: emotion.” Do Not Expect Too Much From The End Of The World (2023) is the third film of Romanian director Radu Jude’s that I have seen and I love his approach and style. Taking inspiration from Jean-Luc Godard and others, Jadu makes essay-films that bring […]

Ghostbox Cowboy (2018)

The dream for me is to read about a film on Letterbox that I’d never heard of before, and then immediately discover it’s been available to stream on Tubi this whole time. Ghostbox Cowboy (2018) is an example of that dream, which in a few reviews compared it to New Rose Hotel and Demonlover, the […]

Modern Girls (1986)

Often described as L.A.’s answer to After Hours, Modern Girls (1986) feels much more indebted to the success of Desperately Seeking Susan as both are fuelled by a non-stop new wave soundtrack and boho club fashions. Taking place over the course of one night (a personal favourite sub-genre of mine), Modern Girls follows a quartet […]