Funny Pages (2022)

Growing up in 1980s and 1990s pop culture, one myth was the idea that if you were a geek or a nerd, or if you had niche interests about arts, movies, comic-books, that made you more special and creative than the mainstream. I can’t point to any one text, but just the idea that if […]

The Forest For The Trees (2003)

Around the hour mark in The Forest For The Trees (2003), I finally had to close my eyes, not being able to bear watching another scene of social embarrassment. I usually have a high tolerance for cringe-inducing comedy, but I think I needed one sensory break for the continued awkwardness and loneliness of Melanie (Eva […]

License To Live (1998)

There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known […]

Winter Kills (1979)

Winter Kills (1979) is the absurdist extension of the conspiracy thriller in vogue during the 1970s. Imagine The Parallax View, a riff on imagined counter narratives to the official record of the JFK assassination, but exaggerated with a strange comedy, not quite spoof or parody. Each scene in Winter Kills is eventually marked by a […]

Please Baby Please (2022)

Director-writer Amanda Kramer’s Please Baby Please (2022) reminded me of discovering Johnny Suede on SBS when I was young. The discovery of an arthouse American indie cinema morphing together the past and the present, a receptacle for a filmmaker’s fetishes. Empty alleys or street facades. Apartment interiors on a studio set. Creating a whole situation to let make-up, hair, […]