Deerskin (2019)

Deerskin (2019; Le Daim) is directed by Quentin Dupieux who is also the electronic musician Mr Oizo and who has for the past decade built up a career as a filmmaker specialising in weird, offbeat fare. His first film, Rubber, which I’ve still not seen, was a meta-horror movie about a rubber tire that could […]

3 Faces (2018)

3 Faces (2018) opens with footage recorded on a smartphone of a young girl, Marziyeh (Marziyeh Rezaei), who pleads for help from an actor, Behnaz Jafari, to support her dreams of wanting to become an actor herself and studying at a conservatory, all of which is strictly denied by her village in the face of […]

The Doom Generation (1995)

I remember The Doom Generation (1995) was released into cinemas when I was a teenager, as a hip US indie – maybe a bit on the back of Pulp Fiction and the similarity of Rose McGowan’s Louise Brooks bob/overall look to Uma Thurman. I also recall Roger Ebert – whose reviews I read back then […]

Husbands (1970)

Even as a fan of John Cassavetes movies, I completely understand how they can be off-putting. It’s intentional, part of the auteur’s legacy, with characters barking at each other, swinging for the fences in the direction of truth but also heightened into broad acting moves. I loved the way filmmaker Andrew Bujalski wrote about Husbands […]

Daddy Longlegs (2009)

While just as stressful as later films by the Safdie Brothers like Good Time and Uncut Gems, their first major indie feature, Daddy Longlegs (2009) is also gentler in a way. It focuses on a dad played by their future co-writer and editor Ronald Bronstein (also a director of the indie Frownland) and his performance […]